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Nelson J. Diaz is a visual physicist and pioneer who integrates non-Euclidean geometry, systems thinking, and computational methods into contemporary art. Since the 1980s he has developed Mathematical Art Representation (MAR), using FORTRAN 77 lattices and conformal mapping to transform Francis Bacon’s regretted “Trash Pope” into the eternal Atom Pope in 2026 — a living demonstration of superposition in the pictorial manifold.
Through Pure Quantum Vision (PQV), Diaz collapses complex scientific concepts — Einstein’s unified field, Leonardo’s perspective extended into infinite space-time, and the scream behind the holy mask — into observable works that refuse to stay buried. His 2009 march of Isolated Christ paintings through Manhattan as a public statement on censorship remains a defining act of sovereign resistance.
A published scholar in MIT Press’s Leonardo Journal and a STEAM educator, Diaz continues to bridge art, physics, and technology from his studio in upstate New York. His work is not pretty. It is inevitable.

Contact:  nelsondiazart@yahoo.com