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Nelson J-Diaz Works


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Nelson J-Diaz Works


mit press direct leonardo 2024


mit press direct leonardo 2024


 

QUANTUM GEOMETRY


QUANTUM GEOMETRY


Lesson with Francis Bacon Forced Me to See Out of the Software Box

Submitted:  Nelson J. Diaz: February 23, 2023   Accepted: April , 2023
Abstract A
Computers became more standard in the early 80s and science and technology were influencing artists like myself. I began using a supercomputer and FORTRAN 77 software in order to define a non-Euclidean geometry model using conformal mapping to create art. A series of twisted and curved space images was manifested and reflective to Einstein’s general and special relativity. It was my encounter with Dr. Edward Teller, “the father of the H-bomb,” that let me to artist Francis Bacon. It was a private lesson with the artist that forced me out of the box into my own visual world.


unified field theory in a stick drawing

This book aims to complete Einstein's-Unified Field Theory from an elementary conceptual approach in the pictorial-art representation. In 1920, Einstein began developing the Unified Field Theory based on the notion that if you can't explain it to a six-year-old child, you yourself don't understand it. Einstein's work started one hundred years ago, but some sections remain incomplete until now but leave us with a valuable standard model to explore and invent further. For instance, gravity at a quantum world is small and still requires massive calculations to define the behavior of subatomic forces, for example, in mini black holes. According to theoretical physicist Stephen Hawking, black holes in quantum gravity collapse into short timescale particles, leaving no black holes in quantum gravity. That motivated me pictorially to develop the theory further. I worked on my 1980's slang term (MAR) Mathematical Art Representation for thirty years using Einstein's formats, the non-Euclidean geometry, to define electromagnetism. In this study, I used Newtonian mechanics to define a pictorial three-dimensional space room velocity in motion of full brush strokes in British artist Francis Bacon's non-Euclidean painting to represent general and special relativity in quantum mechanics environment using a conformal mapping application. These new four-dimensional spaces represent the "real" Leonardo Da Vinci's linear perspective room and imaginary parts in one pictorial non-Euclidean geometry representation, which remains intact with Einstein's integrity to George Riemann's non-Euclidean geometry approach to the unified field theory format of one hundred years ago. The w plane with human figures in empty three-dimensional rooms shows that different colors artistically define the behavior of electromagnetic waves in particle duality of quantum mechanics. MAR helps to unify the three-dimensional world into a four-dimensional representation of spacetime in non-Euclidean geometry. This helps the transmission of atomic topology and the behavior of gravity quantum geometry to be interconnected with the cosmology of a multidimensional universe and to represent the theory of everything. I have come to my own unique destination with two children drawing on the theory of everything (TOE), which I now can explain to a six-year-old so that they understand.


MIT Published Scholar Nelson J. Diaz Channels the Inspiration From Nuclear Destruction Into Empathy-Driven Art

Right: 1979-1981 drawing of a hydrogen bomb blast. Left: Dr. Teller at lecture. Bottom Left: Nelson J. Diaz with painting, Flora Sitting Next to Zero, W= 1/z transformation, 1984. (Holder, Nelson J. Diaz)

Right: 1979-1981 drawing of a hydrogen bomb blast. Left: Dr. Teller at lecture. Bottom Left: Nelson J. Diaz with painting, Flora Sitting Next to Zero, W= 1/z transformation, 1984. (Holder, Nelson J. Diaz)

Nelson J. Diaz is a visual physicist and MIT Press peer reviewer. This scholar was deeply inspired by the Oppenheimer’s Bomb with Edward Teller to “create rather than destroy”.

https://walterscoop.com/markets/stocks.php?article=getnews-2023-8-14-mit-published-scholar-nelson-j-diaz-channels-the-inspiration-from-nuclear-destruction-into-empathy-driven-art



New EXHIBiTION


New EXHIBiTION


 

Garner Arts Center



May 21, 2016 - October 1, 2016
RECYCLING TIME.  A Retrospective 1985 - 2016.

 Curated by James Tyler.

 

 

Garner Arts Center



May 21, 2016 - October 1, 2016
RECYCLING TIME.  A Retrospective 1985 - 2016.

 Curated by James Tyler.

 

 

Isolated Christ



New York City 2009
A group of work that further develops Leonardo Da Vinci's linear one point perspective that is represented in The Last Supper.  Through complex non Euclidean geometry, the pictorial plane in sent into infinite space and time.  The Isolated Christ paintings were marched through the streets of Manhattan on Palm Sunday 2009.

 

Isolated Christ



New York City 2009
A group of work that further develops Leonardo Da Vinci's linear one point perspective that is represented in The Last Supper.  Through complex non Euclidean geometry, the pictorial plane in sent into infinite space and time.  The Isolated Christ paintings were marched through the streets of Manhattan on Palm Sunday 2009.

 

Intar 1996 New YORk CITY


The "Fragments" exhibition was curated by Latin American Art scholar Eduardo Casares. These works on canvas are allegorical observations of  Afro-Cuban-European culture, religious dogmatic believes and my views on time and death.  Life is a perception of magic and realism and not an absolute.

 

Intar 1996 New YORk CITY


The "Fragments" exhibition was curated by Latin American Art scholar Eduardo Casares. These works on canvas are allegorical observations of  Afro-Cuban-European culture, religious dogmatic believes and my views on time and death.  Life is a perception of magic and realism and not an absolute.

 

Non Euclid



Wynwood Miami 2002
The installation was created for the first Art Basel held in Miami.  This group of paintings, frescoes and wall paintings stretches out the geometric story of the universe within a modern platform of space and time.  The old ruins of the RC Cola company becomes the grounds of my aesthetic which was named TechoRealism.

 

Non Euclid



Wynwood Miami 2002
The installation was created for the first Art Basel held in Miami.  This group of paintings, frescoes and wall paintings stretches out the geometric story of the universe within a modern platform of space and time.  The old ruins of the RC Cola company becomes the grounds of my aesthetic which was named TechoRealism.

 

Brutal Reality



Miami 1990
These earlier series of paintings are based on Federico Fellini's 8 1/2.  They depict Guido, the main character, being suffocated with life situations from a psychological perspective. 
The frenetic environment becomes part of the paintings and the chaos the installation.

 

Brutal Reality



Miami 1990
These earlier series of paintings are based on Federico Fellini's 8 1/2.  They depict Guido, the main character, being suffocated with life situations from a psychological perspective. 
The frenetic environment becomes part of the paintings and the chaos the installation.